This week is the first annual theater festival in Granada, attracting 150 artists from neighboring countries, such as Honduras, El Salvador, Costa Rica and Guatemala. The artists have set up a small camp site on the grounds of the house of the one local street theater group…….. This group was originally formed with street kids. They helped to build a house which incorporates recycled materials, such as glass bottles in the walls, and now live there permanently.
Instead of solving the wig puzzle, we head off to visit the French artist Jean Marc Calvet. We want to get to his studio before all his work gets shipped to Miami for a big exhibit. And of course he always wows us — this time with a floor to ceiling painting done on un-stretched canvas, same as the way I have been working. His work reflects his personality, dynamic, bold and tormented. The kind of work that each time you see it, you see more details, more symbols and images. We have a wonderful few hours hearing his life stories and the process and experience of being the subject of a feature length documentary film, which took four years to complete.
Ben and Jean Marc are both French and thus have an instant connection through language and culture. He is very comfortable and the ability to switch to French gives us the benefit of his hilariously good stories.
In addition to his artistic competency and huge personality, Jean Marc has a beautiful Nicaraguan wife. It occurs to me that she is probably going to know where I can buy a wig in Granada. Seconds later she is on the phone with their transvestite friends and it is arranged that one of the “girls” will loan me a blonde wig.
I like the short brown wig– how come we don’t get to see you as a blond tranny?